Halima Abdul (Sadia) is an operations manager and cultural cataloger dedicated to the systematic preservation of West African heritage. Based in Kaduna, Nigeria, she specializes in bridging the gap between private archives and the public record, most notably through her work on The Collector’s Game, an ambitious traveling exhibition of Coach Oliver B. Johnson’s life and art. With a focus on the meticulous logistics of cultural preservation, from Ladi Kwali pottery to sporting history, Halima is a steadfast advocate for the "integrity of state," transforming private memory into a lasting national monument.