F.O.R.S.A.K.E.N review: Abdulsalam Saba’s Exploration of Silence and Missed Chances

There is something quietly unsettling about the stories we never tell. They remain with us, growing louder in memory than they eve…

The Eid Clay Is Growing Roots in Clay

Iman learned what handmade looked like before she learned how to do it herself. Her mother is a potter and a florist, so the house…

The Language of Healing: Paulcy Odama on Art, Medicine, and Meaning

Paulcy Odama is an artist who approaches the human condition with the sensitivity of someone who has witnessed both the fragility …

Claypots, Food, and the Body: What to Expect at KAFART’s Flagship Exhibition

Ahead of the sixth edition of the Kaduna Fashion and Art Festival, exhibition notes shared with The Moveee detail the thinking beh…

The Writer Behind the Books You Think Someone Else Wrote

Tobiloba Afolayan is a ghostwriter with three books of his own and nine years of writing behind other people’s names. In this edit…

He Wrote Trauma in 2021. The World Needed It More in 2026.

Temitayo Adekola writes about the experiences African society would rather look away from. His novelette Trauma, first written in …

The Romance Novelist Who Believes Love Is Never Just Romantic

Nonye Jennifer Amaechi on writing as survival, her debut novel Black Ink White Paper, and why love in her fiction is never simple.…

Oghenevwegba Ransome Is Building a Web3 Playbook with Wins and Hard Lessons

From flipping NFTs to saving over $1,000 in meme coins, Wegba has consistently turned small wins into stepping stones in his quest…

How Tife Ajayi Turned an IT Placement Into a Thriving Broadcasting Career

Introducing The Moveee Literary: A New Home for Exceptional Writing

Since our inception in 2022, The Moveee has been dedicated to culture journalism, occasionally publishing compelling fiction, nonf…

Baba Segi’s Household Is Finally Coming to the Big Screen This December

Lola Shoneyin’s 2010 novel has already lived several lives. It became a stage play that earned a five-star review from The Guardia…

Witsprouts Opens Nominations for the Second Edition of Its Storytelling Prize

The Witsprouts Storytelling Prize is now open for nominations for its second edition, with The Witsprouts Project inviting a much …

After a Year Off, KAFART Returns as a Biennial — And Bigger in Scope

The Kaduna Fashion and Art Exhibition (KAFART) will hold its sixth edition this October from the 22nd to the 25th involving severa…

F.O.R.S.A.K.E.N review: Abdulsalam Saba’s Exploration of Silence and Missed Chances

There is something quietly unsettling about the stories we never tell. They remain with us, growing louder in memory than they eve…

Aisha A. Bolaji Tends to the Wounds of Girls in Full Bloom in Flowers at the City of Dreams

When you pick up Aishat A. Bolaji’s Flowers at the City of Dreams, you should read the dedication first. “Dedicated to the courage…

How We Argue

We talk every day — haggling, bantering, praying, debating on X — but how many of us have actually learned how to argue well? In t…

Why BNXN Sampling Amadou & Mariam Matters More Than You Think

BNXN just sampled Amadou & Mariam. But African artists have been sampling the continent’s archive for years. So why does this one …