Dark Days, Darker Politics

There are times when everything seems… off. The lights do not stay on for long enough. The backup options only seem to get more expensive every week. And sometimes, the explanations given by those in charge do not quite add up to the reality we are living in.

It is this disconnect between what is actually going on and what we are being told is going on that GetMeLit is here for. It’s my way of making sense of it all, and sharing with you the ideas, stories, and opportunities that help us make sense of it all.

In this edition of GetMeLit, we will be talking about the electricity crisis, what is going on on Moveee, a few opportunities, and things I think you will enjoy, and wrapping it all up with a little question to keep things going in the next edition. Let’s get into it. 

— Godswill

Spotlight

When the Lights Go Out, Who Really Pays the Price?

Nigeria’s electricity situation has always been unpredictable, but recently it feels like we’ve entered a new phase. Blackouts last longer. Power supply is more unstable. For many people, the only real alternative right now is solar. Yet even that seems out of reach because solar setups that were already costly are becoming even more expensive. Suddenly, the “solution” to unreliable electricity looks like a luxury rather than a fallback, and it begs the question: Was this the plan all along?

At the same time, the Minister of Power states that the situation is “beyond their control.” With real structural issues like aging infrastructure, supply gaps, and global market pressures, it’s tough not to feel like accountability is constantly pushed just out of reach. When you zoom out a little more, the President was in the UK signing a significant deal to “revive” Nigeria’s steel and port infrastructure. This move, on paper, sounds promising. However, a closer look shows that it mainly benefits British suppliers and companies.

Then you start to connect the dots.

Energy is unstable. Local solutions are getting expensive. External partnerships seem to favor outsiders. Meanwhile, everyday people are the ones adjusting, paying more, and finding ways to cope.

It creates a strange loop where the systems feel distant, but the impact is very local and not very positive.

What’s On The Moveee?

How Locari Is Changing the House-Hunting Experience in Nigeria

Nubian Is Rewriting Africa’s Research Future Through Its Digital Repository

How Tife Ajayi Turned an IT Placement Into a Thriving Broadcasting Career

Breaking the Frame: The Quiet Philosophy of Kamal Obat

Opportunities

Moveee Open Call for African Writers

At The Moveee, we believe some of the most powerful stories are the personal ones — the experiences, reflections, and quiet moments that shape how we see the world. Open from March 16, we’re opening submissions for Culture Narratives, our new magazine inviting emerging African writers to share thoughtful, honest narratives about culture (life, identity, work, creativity, film, music, books, and everything in between). If you’ve been sitting on a story that feels deeply personal or meaningful, this is your chance to tell it. The call is officially open till April 10, 2026

20.35 Africa Poetry Anthology (Volume IX)
Calling poets across the continent- 20.35 Africa is accepting submissions for its next anthology.If you’re between 20–35 and writing work that reflects your reality, this could be a strong opportunity to get published alongside emerging voices.

Munch It Campus Crew- Campus Creators
Munch It Nigeria has officially launched its search for the next generation of the Campus Crew. This is a prime opportunity for those looking to blend their digital storytelling skills with a major national brand. Selected creators gain access to a suite of impressive perks, including monthly stipends, exclusive brand merch, and features in official advertisements. Whether you are a budding videographer, photographer, or social media maven, this program offers the professional exposure and brand event access needed to take your portfolio to the next level.

Lọ́unlọ́un Journal — “Witnessing” Personal Essays

Lọ́unlọ́un Journal is currently accepting submissions for Witnessing, a collection of personal essays exploring memory, identity, and lived experience.

If you enjoy reflective, narrative-driven writing, this is a great opportunity to share your voice on a global platform.

Recommendations

Zero to One — Peter Thiel & Blake Masters– If you’ve ever thought about building something meaningful, the philosophy behind Zero to One is one that stays with you. Authored by Peter Thiel, the visionary co-founder of PayPal and a prominent venture capitalist, the book challenges the traditional obsession with competition. For any aspiring creator or entrepreneur, it is one of those books that quietly shifts how you think about the intersection of ideas, innovation, and long-term ambition.
“If you want to build a better future, you must believe in secrets.”

Rethinking AI Beyond LLMs – AI isn’t slowing down anytime soon, but the way it evolves might surprise us. This piece explores how researchers like Yann LeCun are moving beyond today’s language models toward systems that understand the world through patterns and experience, not just prediction. It’s a glimpse into what the next phase of AI could look like, and why it might change everything again.

Tatchero — Lagos Through a Mobile Lens – There’s something refreshing about seeing Lagos captured without heavy gear or big production. Tatchero’s work reminds you that storytelling isn’t about the equipment — it’s about perspective. Through simple mobile photography, they document the city in a way that feels immediate, human, and real.

Paradise (Season 1)– This series is a slow-burn thriller that pulls you in without trying too hard. Paradise builds tension through mystery, character, and atmosphere, and Sterling K. Brown delivers one of those performances that quietly carries the entire show. The series excels at the “unfolding” effect—where every episode peels back a new layer of the central mystery without resorting to cheap cliffhangers. It treats its audience with intelligence, relying on subtext and heavy silence to convey more than dialogue ever could. For those who enjoy stories that demand your full attention and reward it with complex moral dilemmas, Paradise is a sophisticated addition to the thriller genre that is absolutely worth your time.

Companion Playlist

On Sampling, Memory, and Paying Respect

I’ve been thinking a lot about the popular but difficult to pull off. There is something rich about music that is a little older. You can hear the instrumentation, the patience that goes into creating music. These were not just songs; they were experiences. You could hear the band, hear the room, hear the effort that went into every single note, and that is where sampling and interpolation come in.

A good callback is not just about sampling a song; it is about continuing a conversation. It is a way for new artists to pay respect to where they are coming from. It is a way for new artists to introduce music that is a little older to a new audience. It is a way to remind us that we do not create in a vacuum, and right now, it is timely.

In a world where everything is moving so quickly, and originality is such a constant debate, callbacks make us take a step back. They make us listen again.

Here are a few recent Nigerian tracks doing that beautifully:

• “Aimoye” — Kayode (sampling King Saheed Osupa’s Reliable (Pt. 5)from 2020)
• “Love Me Jeje” — Tems (sampling Seyi Sodimu’s Love Me Jeje- 1997)
• “Active” — Asake ft. Travis Scott (sampling Jazzman Olofin /Adewale Ayuba Raise Da Roof- 2006)
• “C’mon Look” — Sarz ft. Asake (sampling KWAM 1’s I Can’t Just Stop from 1996 )
• “With You” — Davido ft. Omah Lay (Inspired by Bright Chimezie’s Because of English-2018)
• “Keys The Prince” – “Left Right”( Flips Yinka Ayefele’s 2005 track “Beru Ba Monuro”)

Let me know the songs I didn’t mention, I’d love to hear from you

To Close…

Nigeria’s electricity struggle has been referenced in music for decades.

From Neo’s “Bring The Light” to Falz’s “This Is Nigeria”, “Just Like That” by Fela Kuti, and “Rara” by Tekno. artists have always found ways to reflect the reality around them.

So here’s a question for you:
Did I miss any songs that speak on Nigeria’s electricity situation?

Reply and put me on.

Moveee Along

Before you go, here are a few things happening inside the Moveee community:

• Missed the last issue? We talked about how global events ripple into everyday life here at home, from fuel prices to cultural shifts, and how everything is more connected than it seems. Catch up here.

• Submissions are now open for Culture Narratives, our upcoming quarterly magazine issue.

• The next edition of The Platform, our monthly culture panel, is coming up soon. Stay tuned.

• More features and interviews are on the way.

If you’re a writer, artist, filmmaker, or creative or cultural enthusiast with a story to tell, we’d love to hear from you.

Stay curious, stay creative, and as always, stay plugged in, however you can.
And if something in this issue made you think, laugh, or fall down a new rabbit hole – my job here is done.

See you in the next issue.